Letters from a Composer

Letters from a Composer

Share this post

Letters from a Composer
Letters from a Composer
Day Thirteen: Hearing and Analysis

Day Thirteen: Hearing and Analysis

Through analysis, you learn the way to hear a piece of music. Musical example is transition harmony of first movement of Beethoven’s 7th.

Jordan Ali's avatar
Jordan Ali
Dec 17, 2020
∙ Paid
1

Share this post

Letters from a Composer
Letters from a Composer
Day Thirteen: Hearing and Analysis
Share

This post is part of 14 Days of Harmony, a free course for musicians who want to deepen their understanding of harmony, and learn how to develop their connection with sound as a result. You can view the entire course here.

The purpose of this lesson is to teach you how to analyze any tonal piece of music, and in doing so, understand the possibility of writing or performing one yourself. 

The work of re-familiarizing yourself with the inner feeling of the intervals and diatonic chord progressions can now be put to use when analyzing a piece of music with the goal of finding out how it articulates, how it breathes. For example, you know how an interval of a fourth feels like, and how the movement from the tonic to its subdominant feels like. 

In musical analysis these feelings that emerge from foundations are the most important aspects to pay attention to. These feelings are what give life to the piece, and you'll see that these are the most permanent structures that we take with us. Very …

Keep reading with a 7-day free trial

Subscribe to Letters from a Composer to keep reading this post and get 7 days of free access to the full post archives.

Already a paid subscriber? Sign in
© 2025 Jordan Boucicaut
Privacy ∙ Terms ∙ Collection notice
Start writingGet the app
Substack is the home for great culture

Share