Letters from a Composer

Letters from a Composer

Share this post

Letters from a Composer
Letters from a Composer
Day Four: The Tone Row Exercise

Day Four: The Tone Row Exercise

A highly useful technique for using the 12 tones.

Jordan Ali's avatar
Jordan Ali
Nov 13, 2020
∙ Paid
2

Share this post

Letters from a Composer
Letters from a Composer
Day Four: The Tone Row Exercise
Share

This post is part of 14 Days of Harmony, a free course for musicians who want to deepen their understanding of harmony, and learn how to develop their connection with sound as a result. You can view the entire course here.

The 12 tone row exercise helps us practice experiencing a unity of form. When we sit down to write one, our goal is to guide the ear away from a fundamental note and return back home to it. This is essentially what we do in any piece of tonal music. The practice comes from uniting all of the different elements and understanding how each of the parts relate to one another. Since this exercise has so many restrictions, it is easy to focus and become extremely creative within the boundaries that are set. 

Each interval in a melody or tone row contributes to the line of musical tension, the line of attention that runs through relating all of the notes in the phrase to a single point musically furthest away from the beginning and end.

The goal is to guide the ear away from …

Keep reading with a 7-day free trial

Subscribe to Letters from a Composer to keep reading this post and get 7 days of free access to the full post archives.

Already a paid subscriber? Sign in
© 2025 Jordan Boucicaut
Privacy ∙ Terms ∙ Collection notice
Start writingGet the app
Substack is the home for great culture

Share